The Oxford Samuel Beckett Theatre Trust Award
2014 winner announced
Research and Development grants were awarded to Dickie Beau and to Bruno Humberto.
2015 finalists announced
The finalists were:
- Aegis Productions
- Bad Physics
- Nigel Barrett and Louise Mari
- FAITH Drama Productions
- Emma Jowett
- New Movement Collective
- David Shearing
- The Wrong Crowd
Three Research and Development grants awarded to:
- Nigel Barrett and Louise Mari for "The Body"
- FAITH Drama Productions for "The Den"
- New Movement Collective for "Collapse"
About the Award
The purpose of The Oxford Samuel Beckett Theatre Trust Award is, in particular, to help the development of emerging practitioners engaged in bold, challenging and innovative performance and, in general, to encourage the new generation of creative artists.
The Award is for a company or individual to create a show either for the Pit Theatre, Barbican or a site-responsive, non-traditional show to take place in East London. The winning show, either at the Pit, or, if site-responsive, elsewhere, will be part of the Barbican Theatre season.
All types of productions will be considered in terms of scale and length of run: from one-man to larger-scale shows, and from a limited run (not less than 10 performances) to a project, if site-responsive, that could last up to a month.
Bold and innovative projects will be favoured.
Proposals for the Pit theatreThe Pit is a studio theatre space, which is usually configured as single-sided raked seating but can accommodate other configurations. There are 180 seats (or up to 190 seats on three sides, or 200 people for promenade). The dimensions without seats are 15m x 13.5m. The ceiling height varies: the lowest point (under the air vent) is 4.1m.
Proposals for site-responsive work
The judges are looking for a piece of theatre that is inspired by and takes place in a non-theatre space. Proposals must be for productions in spaces that are safely and fully accessible for audience members with disabilities.
Site-specific work can be very complex and expensive, but it doesnít have to be. The final piece should be capable of being presented in places other than the original venue. All applicants should consider designs that could be transferable.
Applicants are recommended to propose making a theatre space in areas that commonly would be found in any urban conurbation: a town square, a shopping centre, a busy street, an office, a house, an industrial site, a waterway, a library, etc.
The Award comprises
- Two Research and Development grants of up to £2,500 each
- A production grant of up to £32,000. The size of the production grant (up to this amount) will depend on the scale of the show and a justified production budget
- A mentor for the project
- In-kind support from the Barbican, including press, marketing and some technical and administrative support
Research and Development
R&D grants will be awarded to two short-listed applicants. Following the R&D presentations, the winner will be announced.
The R&D period is to physically test precise ideas. With work of this nature, R&D will differ depending on the detail of the individual application. Applicants will be advised specifically what the R&D phase will entail following the interview stage.
The showing at the end of the R&D phase to the panel and an invited audience should be between 10 to 30 minutes.
Guidance and SupportThe winning applicant will have guidance and support from the Barbican and The Oxford Samuel Beckett Theatre Trust. This will primarily be in the following areas: financial management, contracting, press and publicity, long-term strategic development of their work, identifying potential sources of artistic and technical support, advising on technical aspects of the production.
Funding outside of the AwardA maximum of £10,000 (excluding in-kind support, e.g. free or subsidised rehearsal space) may be raised by the winning company/individual in addition to the OSBTT production grant.
Funded by The Oxford Samuel Beckett Theatre Trust and co-produced by the Barbican.
The Barbicanís Theatre and dance events aim to inspire and to push performance boundaries, taking audiences on an unpredictable journey that stimulates the senses. Audiences can explore work by top international artists and discover fledgling new talent in the extensive year-round programme. Season by season, the Barbican produces or co-commissions work that helps to launch the careers of pioneering new artists and nurtures ongoing relationships with world-class companies.
Applying for the AwardGo to the applications page.
Awards2014: "Camera Lucida", conceived and executed by Dickie Beau.
2013: Kristin & Davy McGuire
Exceptionally for 2013, 12 short-listed candidates were awarded R&D grants. They presented their work in a showcase in Oct. 2012.
2012: Research and Development grants were awarded to London Snorkelling Team and Richard DeDomenici. No full production grant was awarded.
2011: No grants were awarded.
2010: You Me Bum Bum Train for You Me Bum Bum Train.
2009: Levantes Dance Theatre for Room Temperature Romance.
2008: Slung Low for Helium.
2007: Boileroom for The Terrific Electric.
2006: The Work Theatre Collective for Project E: An Explosion.
2005: Almost Blue, a collaboration between sound-designer Gareth Fry, radio and theatre director Lu Kemp, director/choreographer Dominic Leclerc, producer Neil Laidlaw and writer Chris Dunkley.
2004: The Pink Bits for Mapping 4D.
2003: Dan Hine and Kirsty Housley for Cue Deadly: A Live Film Project.